16 March 2024 I 14:30 I Hull New Theatre
⭐⭐⭐⭐
The Drifters Girl, directed by Jonathan Church, showcases a dazzling jukebox musical, theatricalizing the life of Faye Treadwell and her success building the iconic quartet. With transitionally impeccable storytelling, audiences are treated to a solid show grounded by a cast of six remarkable, multi-faceted black performers.
Vocally, Carly Mercedes Dyer refines Faye's emotionally motivated story. Dyer's solos, most notably Harlem Child, are showstopping brilliance! She delivers powerful acting chops to educate us on Treadwell's historical career full of hardships, the inspirational force who made The Drifters. The parallels with Jaydah Bell-Ricketts' Girl add an extra dimension of pride to her legacy.
The feature of multi-rolling is extraordinary, perfecting vastly different characters. Defining The Drifters, Ashford Campbell, Tarik Frimpong, Daniel Haswell and Matthew Dawkins allow you to believe the magic of performance, leading cohesive choreo from Karen Bruce to ensure a slick and engaging vision. Campbell's Stand By Me is captivating, and all the way to Frimpong's relentless energy, these guys are exceedingly fun, delivering many well-known hits with effortless style.
One scene sees encouragement for the audience to interact, influencing my review away from the full five stars. Across the megamix, I wouldn't have an issue with this. However as this occurs post-interval, it neglects the usual respect in theatre, in turn amplifying singing along for the second act of the show. It removes the level of sophistication to become more tribute-y, which is a shame as the production value is so admirable.
Anthony Ward's minimal design is effective, using sliding panels for smooth scenic changes. The walls are akin to the foam of a sound booth, heightening the imagery of the music world alongside Andrzej Goulding's projection. Many elements marry for a harmonious aesthetic, from Fay Fullterton's sharp costuming to Dustin Conrad's orchestra, providing beautiful underscore where an atmosphere is always present and relevant.
The Drifters Girl may not break the boundaries of musical theatre, nor is the plot fully realised in the band's history, but there is no doubt this show is the ultimate crowd pleaser with a sensationally timeless R&B score!
Part of a shorter series of reviews, initially published on Instagram to manage university demand.
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