Hadestown Review (Lyric Theatre, London)

29 March 2024 I 19:30 I Lyric Theatre, London

⭐⭐⭐

With high expectations following an immensely popular Broadway run, I have been eargerly anticipating Hadestown's London return, yet my first live exposure leaves me underwhelmed. Anaïs Mitchell's songwriting triumphs in breathtaking scores, but Rachel Chavkin's direction stages an overproduced concert style, opposed to realised storytelling, in turn confuses the mythological narrative.

The shining star of this production is Melanie La Barrie as Hermes. The way she bursts onto the stage like a firecracker will impress anyone! This energy is immense to begin the musical, endlessly comfortable in Barrie's hands. However, some states (particularly the opening sequence) appear static in juxtaposition to the pace of music.

David Nuemann's choreography has investing sequences, thriving in conjunction with Rachel Hauck's revolve. Though at times repetitive and a confusing style, there is a consistent disengage from the setting. A loose time period and occasional holes in the plot lead to confusions, despite being familiar with the score beforehand. A land of gods can feel domestic at times through Mitchell's lyric work. General dynamics of chemistry are sacrificed as a result, though imagery is well communicated in the direct themes of trust and individuality.

Gloria Onitiri excels as Persephone. She really finds a unique character perspective which is inspiring to see develop in charisma and heart. Allie Daniel's Fate likewise astonishes me with facial work and precision on every movement to realise the wicked characteristics with confidence.

Tarek Merchant's musical direction leading an onstage band is magnificent in keeping the momentum of the musical, integrated into the action effortlessly. I find amazement in Bradley King's lighting design to mirror the atmosphere of scenes, either colour theory, the absence of light or haze to amplify emotion.

I want to love Hadestown, though unfortunately, it results in a spiritless production. The visit is 1000% worth it to witness Mitchell's iconic score, and though I feel divided, the final applause makes your ears ring. The love is clear to see for a monumental return.

Part of a shorter series of reviews, initially published on Instagram to manage university demand.